Monday, Jul. 13, 1925
The Best Plays
These, are the plays which, in the light of metropolitan criticism, seem most important:
Drama
WHAT PRICE GLORY?-- The marines in France illustrate the stern principle that everything is fair in love and war.
DESIRE UNDER THE ELMS-- Eugene O'Neill's story tragedy of loneliness and infidelity in backwoods New England.
THEY KNEW WHAT THEY WANTED-- The old farmer, the young wife and the hired man work out a stormy triangle amid California vineyards.
WHITE CARGO-- Close-up of a man's morals melting under the lonely suns of Africa.
Comedy
IS ZAT SO?-- Professional prizefighters win the lightweight championship and the love of serving maidens in an expensive Fifth Avenue domicile.
THE POOR NUT-- An artless tale of undergraduate days wherein the Phi Beta Kappa man turns out to be a gorgeous athlete.
THE FALL GUY-- Again the turning worm--this time a futile little chap with a family and a genius for losing his job.
CAESAR AND CLEOPATRA-- Shaw comedy wherein a flapper Cleopatra plays verbal hide-and-seek with a superannuated Caesar.
Musical
Summer evenings are best endured with the aid of the following follies: Rose-Marie, The Student Prince, Engaged, Artists and Models, Grand Street Follies, Louie the 14th; Lady, Be Good; George White's Scandals, Garrick Gaieties.