Monday, Nov. 17, 1930

Best Plays in Manhattan

LYSISTRATA--Aristophanes' simple and sexual remedy for war.

ONCE IN A LIFETIME--The Theatre's revenge on the Cinema.

ON THE SPOT--Edgar Wallace looks on Chicago with his tongue in his cheek.

PAGAN LADY--Lenore Ulric exercises her charms on a visiting divine.

ROAR CHINA!--Spectacular Soviet drama. There is a very impressive battleship floating on the stage.

THAT'S GRATITUDE--Frank Craven overstays his welcome at a friend's house by several weeks.

THE GREEN PASTURES--There is no other play like this one.

TORCH SONG--Emotions in the Midwest.

UP POPS THE DEVIL--Very funny light comedy about some young folk in Greenwich Village.

Musical--FINE & DANDY (Joe Cook), GIRL CRAZY (music by the brothers Gershwin), PRINCESS CHARMING (elaborate) THREE'S A CROWD (Libby Holman, Free Allen, Clifton Webb).

Best Pictures

FEET FIRST--Another example of Harold Lloyd's best comedy, with some good high altitude prattfalls.

THE WHITE HELL OF PITZ PALU-- Thrilling triangle story made in the Alps Best of the current pictures if you can see a version without Graham McNamee's idiotic sound accompaniment.

WHOOPEE--Eddie Cantor still at his best as the world's most lingual Jewisl Indian.

OUTWARD BOUND--The ultimate voyage presented with handsome symbolism.

THE CALL OF THE FLESH--Nice singing by Ramon Novarro.

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