Monday, Nov. 29, 1937
Also Showing
New
Non-Stop New York (Gaumont British) shows what the transatlantic airliner of the apparently near future may be like. "A" deck will have spacious cabins with wardrobes big enough for blonde stowaways like Anna Lee to hide in, "hurricane" decks from which trapped villains may escape, providing scissor-minded child prodigies like Desmond Tester have not been tampering with the parachutes. In the "B" deck dining salon gourmets from Scotland Yard (like John Loder) may have their Martinis mixed, not shaken, and may pick at turbot after having had a try at some clear soup, probably terrapin. The fare will be -L-65, the flying time, 18 hours.
Manhattan Merry-Go-Round (Repub-lic). A catchpenny musical whirligig cir-cularizing Leo Carrillo, Phil Regan, Ann Dvorak and James Gleason, with bursts of crooning, hoofing, variety specialties, a baseball game (with a glimpse of Baseballer Joe Di Maggio), a rodeo. Brass rings: Tamara Geva (Chauve-Souris, Flying Colors, On Your Toes) as an opera singer; Cab Galloway's "Yascha"; Ted Lewis' "Baby" still smiling at him; Gene Autry, the singing cowboy, reminding folks that it is Round Up Time in Reno.
Current & Choice
It's Love I'm After (Leslie Howard, Bette Davis, Olivia de Havilland, Eric Blore).
Conquest (Greta Garbo, Charles Boyer).
Hurricane (Jon Hall, Dorothy Lamour, Mary Astor, Raymond Massey).
Stand-in (Leslie Howard, Joan Blondell, Humphrey Bogart).
The Awful Truth (Irene Dunne. Gary Grant, Ralph Bellamy).
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