Think

Seattle's Station KOMO means to wring the very best out of its scriptwriters. Last week, architects were at work on the Thinking Room of KOMO's new studio building. Immediately before he gives birth to a script, the writer will be confined in the Thinking Room for appropriate mood-building. KOMO's President O. W. Fisher explains enthusiastically: "Suppose we have a program about Polish refugees being sent back to Poland. The writer will sit in this room, lighted in a blue-greenish color. The room will be cold. We'll have Polish folks songs playing. On the screen will be a picture of refugees in a boxcar. There'll be an odor of garlic. . . ."

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