Monday, Mar. 09, 1953
Also Showing
All Ashore (Columbia) is an amiable little cinemusical with pretty girls, Technicolored scenery, several jingly songs--and practically no screenplay. The slapdash script follows three sailors (Mickey Rooney, Dick Haymes, Ray McDonald) through their shore leave at Catalina. By the fadeout, at a lavish Polynesian beach party, they have each found a girl (Barbara Bates, Jody Lawrence, Peggy Ryan). This is the sort of picture in which the characters have such names as Moby Dickerson and Gay Knight. All Ashore is at its brightest when it gives sawed-off Mickey Rooney a chance to hoof, sing, do assorted pratfalls and mug his way amusingly through a saloon sequence in which he is fed a Mickey Finn, a dream sequence in which he imagines he is a lionhearted medieval knight.
Jeopardy (MGM) is a frenzied little thriller that allows a lustful killer (Ralph Meeker) to menace a quiet family vacationing in Lower California. When the husband (Barry Sullivan) is accidentally pinned down on a beach by rotting jetty timbers, his desperate wife (Barbara Stanwyck) sets out to find help before the tide comes in. She promptly runs into the desperado, who not only commandeers her car but begins leering at her. Does the wife outwit the bad man? Is the husband saved before the tide comes in? Do the police catch the killer? For this elaborately rigged situation, Jeopardy uses too much ragged dialogue and too little real suspense.
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