Married. Richard C. Pistell, 41, onetime merchant seaman who dropped anchor at Wall Street in 1948 with $50 in his pocket, now captains Goldfield Corp., one of the fastest growing and most aggressive conglomerates (TIME, May 9); and the Marquesa de Portago; both for the third time; in Manhattan.

Died. Robert W. Goodman, 54, father of Andrew Goodman, one of three civil rights workers slain in Mississippi in 1964, whose dignity in the days following his son's murder helped inspire the moderate groundswell of opinion that rallied to the civil rights movement; of a stroke; in Manhattan. Said Goodman at the time: "Our grief, though personal, belongs to the nation. The values our son expressed in his simple action of going to Mississippi are still the bonds that bind this nation together."

Died. Marion Morehouse Cummings, 63, widow of poet E. E. Cummings, who at the time of her marriage in 1933 was one of fashion's top mannequins; of cancer; in Manhattan. Edward Steichen called her one of the "greatest fashion models" he had ever photographed, and Cecil Beaton commented that she "was at home in the grandest circumstances." She also published a book of her own pictures, Adventures in Value, in 1962, and at her death was planning a book of portraits of her husband and their friends.

Died. Coleman Hawkins, 64, giant among jazz saxophonists (see Music).

Died. Jimmy McHugh, 74, composer of On the Sunny Side of the Street, I'm in the Mood for Love, along with many other hits and scores for movie and Broadway musicals; of a heart attack; in Beverly Hills. His father wanted him to be a plumber, but Jimmy had other ideas, and by 1921 he was on Broadway's Tin Pan Alley turning out Hinky Dinky Parlay Voo and Lone-somest Girl in Town. In 1928 he scored his first musical, Blackbirds of 1928, which contained I Can't Give You Anything But Love, Baby.

Died. Daniel Fitzpatrick, 78, dean of U.S. editorial cartoonists, whose biting, broad-stroked drawings in the St. Louis Post-Dispatch and other papers won him two Pulitzer Prizes; in St. Louis. "I made an awful lot of people plenty goddam mad at me," Fitzpatrick once said--but then he got mad at an awful lot of people. In 1926, he won his first Pulitzer for a drawing of a mountain of paper looming over two tiny tablets titled "The Laws of Moses and the Laws of Today"; his second came in 1955, when he showed Uncle Sam marching into a swamp in what was then French Indo-China with the caption, "How Would Another Mistake Help?"

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